My review of a brilliant play (and performance) where one actor plays dozens of roles, switching back and forth between personas nearly non-stop for more than 90 minutes.
My response to a recent article urging leniency towards theatergoers who use their smartphones during plays or musicals to take photos, send texts, or post to social media.
My review of the St. Louis Rep’s production of a play about how far you can bend the truth before it breaks — and whether “I’m not a journalist” is a valid defense when changing facts to make a story flow better.
My review of a terrific St. Louis production of a play about the decades-long friendship of two of the most famous Americans of the 19th century, Susan B. Anthony and Frederick Douglass, as they advocated to allow blacks and women to vote.
My review of mentalist Derren Brown’s Broadway show, “Secret,” now playing in the same theater where I saw Doug Henning’s very different “The Magic Show” more than four decades ago.
When I heard Friday of the death of Valerie Harper at age 80, I went to my archives to dig out this revealing conversation I had with her in February, 2006.
“1776,” one of my favorite Broadway musicals, came to The Muny last night for the first time in 20 years. Here’s my review.
Observations about four recent showbiz stories that caught my eye: a screen duo’s return, a magazine redefines time, a David Mamet stage play bombs, and why movie comedies are struggling at the box office.